Hyperbole is defined as “extravagant exaggeration used as a figure of speech.” For me, it is also the best form of humor, one that makes me laugh out loud when other attempts fail. My favorite comedian, Dave Barry, is a master at this type of humor. Comparing skiing and snowboarding, he writes, “Whereas with snowboarding, all you get is one board, which is shaped like a giant tongue depressor.”
Exaggeration doesn’t have to be humorous. It also can be
used to describe something so vividly the reader can almost taste it. (oops, a
bit of hyperbole on my part) F. Scott Fitzgerald’s “Her voice is full of money,”
used to describe Daisy’s voice in The Great Gatsby, is a good example.
I inject hyperbole in my writing occasionally when I feel it is effective and not overblown. In chapter two of my novel Brute Heart, I described a nightmare the protagonist was having. In it she was in dark water, struggling to make her way to the top when "an eight-legged calf tumbled through the swirling current, its legs stroking the water like cilia on a paramecium."
Hyperbole is extremely effective when it comes to
producing drama as in Kurt Vonnegut’s Slaughterhouse Five when he
describes the bombing of Dresden, Germany during WWII. “There was a fire-storm out
there. Dresden was one big flame. The one flame ate everything organic,
everything that would burn.”
"A picture is worth a thousand words” is an example of hyperbole, a challenge, if you will. If I have the audacity to call myself a writer, why can’t I describe something so perfectly the reader doesn’t need a picture to see it in his or her mind’s eye? Then I come across a cartoon like the one below and realize I might write ten thousand words and never achieve the effect of this stroke of genius that pokes fun at the Covid-19 pandemic while simultaneously making us aware of another invasion.
No comments:
Post a Comment